Behind the Lens at Laguna Manialtepec, Oaxaca

These portraits show Nick, the photographer behind WildLenz, on a boat at Laguna Manialtepec near Puerto Escondido, Oaxaca. A long lens rests close at hand. Beyond the blue edge of the boat, the water opens towards a wooded shoreline.

Nick seated on a blue boat with a telephoto camera at Laguna Manialtepec, Oaxaca.
On the water at Laguna Manialtepec, near Puerto Escondido.

A morning that starts at sunrise

The morning begins with reaching the water at sunrise, ready to spend time photographing from the boat. These portraits offer a view of that morning at Laguna Manialtepec in Oaxaca, Mexico: the camera close at hand, the wooded shoreline, and the water around it.

The colour portrait and black-and-white frames look at the same outing in different ways. Colour holds the green shoreline and blue boat together. In monochrome, the shape of the hat, the patterned shirt and the line of the lens become more prominent.

Black-and-white portrait of Nick looking across Laguna Manialtepec from a boat, with his telephoto lens visible in the foreground.
A morning on the water, with the camera close at hand.

A view from the water

One frame places the photographer against a wide expanse of water and sky. Another brings the view closer, with the shoreline filling more of the background. Together, the portraits show how much a small change in viewpoint can alter an image: open space in one frame, a stronger sense of enclosure in the other.

They are records of the photographer in the field, rather than photographs of a particular wildlife encounter. Their interest lies in the setting and the relationship between the camera, the person holding it, and the space around them.

Looking beyond the subject

Water creates a simple visual foundation. Its broad surface gives small changes in tone and reflection room to register. Against that openness, the shoreline becomes a continuous band of texture. The photographs offer a useful reminder to look at the whole frame, including the areas where very little appears to be happening.

That same attention can help when selecting photographic wall art. The subject may be the first reason a work catches your eye, but the quieter areas often determine how it feels from across a room. Open water, a pale background, or a soft transition between tones can give a detailed image space to breathe.

Black-and-white side portrait of Nick wearing a broad-brimmed hat on a boat at Laguna Manialtepec, with palms along the shoreline behind him.
Looking towards the shoreline at Laguna Manialtepec, Oaxaca.

From a place to a personal collection

A location can remain meaningful long after a journey ends. A photograph may connect with a memory of being outdoors, a familiar coastline, or simply a colour and atmosphere you want to bring into everyday life.

The field portraits here provide context for WildLenz; they do not identify the capture location of every artwork in the collection. Each work should be considered through its own photograph and product details.

Explore the Mexican Series to discover WildLenz works connected with Mexico. For guidance on presenting a photograph at home, browse the collector guides.

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